Monday, 14 December 2009
Spring Fling 2010 Accomodation
Friday, 7 August 2009
Spring Fling artists Wigtown bound
Heralding an exciting new collaboration between two of the biggest arts events in southwest Scotland, it was announced this week that Dumfries and Galloway-based multimedia artists Sarah Jackets and Chris Helson have been selected for a Spring Fling artists' residency project which will take place in Wigtown, Scotland's National Book Town, for 12 days in the lead-up to and during Wigtown Book Festival 2009.Spring Fling, the annual artists open studios weekend, takes place every May bank holiday weekend across the region (next year’s event will take place from 29 to 31 May). Wigtown Book Festival, which takes place from 25 September to 4 October this year, has grown into one of the autumn's best-loved arts gatherings. With potential for much connection between the audiences of both events, it is hoped that the artists’ residency project will help enhance this relationship and prompt visitors from outside the region to return to Dumfries and Galloway more often.
The 12-day residency will culminate in a new piece of work to be shown during the final weekend of the Wigtown Book Festival 2009, in an open studios-style environment in the Hut at Reading Lasses bookshop. The results of this will then be shown in Wigtown during Spring Fling 2010.
The selected artists, who are based in Carsluith, have been working together on a number of arts projects for the past seven years and are interested in exploring the construction of spaces and peoples’ relationships to those spaces.
“It's a fascinating residency and we are very much looking forward to engaging with the people of Wigtown, Spring Fling and Wigtown Book Festival," said Chris.
For more information about Wigtown Book Festival, please visit http://www.wigtownbookfestival.com/.For more information about Spring Fling, or to sign up for a brochure for next year’s event when it becomes available, please visit http://www.spring-fling.co.uk/.
Thursday, 11 June 2009
On your bike

Visited Rodney Holland (27), Ruth Jones (25), Silvana McClean (24), Robert Leighton (28) and finished with Jason Shackleton and Lucianne Lassalle (29). About 35 miles Barnsoul back to Barnsoul. Packed the The Green Tea Room (Moniave) for lunch - too cold for the tables outside unfortunately. Much favourable comment especially Rodney Hollands's inpressive long wooden chain. On a bike you don't tend to buy much on the day (especially chain saw carvings!) but many took cards & notes for a return 'visit'.
We (the local CTC Group) have organised this SF ride for the past 2 years; last year Eskdale and the one before around Dalbeattie, Palnackie & Rhonehouse. Numbers this year were greatly boosted by attendees from the KM Barnsoul rally, but with publicity we could get more out locally.
It was a good day, despite the poor weather.
Regards
Mike Gray
More from Studio 17
Wednesday, 27 May 2009
From Studio 17. . .
Catriona’s family and mine all turned to and helped, and had great fun (even trying to put up a gazebo in tipping rain while clearing up the preview party and bottle feeding the abandoned lamb just as the first visitors arrived - early). And it's made us clear up the garden, which probably wouldn't have happened, so thanks Spring Fling!
We've been inundated with lovely people visiting, talking and sharing ideas - thank you all!
Tuesday, 26 May 2009
Post Spring Fling Pictures from Studio 1
"My visitor figures over the 3 days were 143 - need to attract another artist/maker to Moffat area to create more of a cluster.
The positive side is that I was able to talk at length with everyone who wished to. I had Greek, Italian and German visitors to my studio as well as from Worcestershire, Yorkshire, Ayrshire, Edinburgh and Glasgow, an ex professional punk band lead singer and a composer and viola player with the BBC Symphony Orchestra!"
Sunday, 24 May 2009
Saturday, 23 May 2009
Naomi Lethbridge's Preparations
Wednesday, 20 May 2009
MMV Art Current Exhibition
She uses a vocabulary of favourite motifs placed against strong colour fields and uses the subtlety and richness of oil colours to create mood and atmosphere in them.
Tuesday, 19 May 2009
McGill Duncan Gallery supports Spring Fling
Some of our most memorable ‘Spring Fling’ customers were from Vancouver, Canada. If we remember correctly they had heard about Spring Fling through an article about artist Lizzie Farey and her work with willow in ‘Homes and Antiques Magazine’. Reading the article made them book a holiday in the region to coincide with Spring Fling. They arrived at the gallery by bus as they hadn’t hired a car and we gave them directions to Rhonehouse. We went through the maps in the Spring Fling brochure and told them they could walk to Lizzie’s studio via Hazel Campbell’s studio.
This year we are showing work by painters David Sinclair and Jonathan Mitchell with Porcelain tableware by Rebecca Callis, along with work by many of our regular gallery artists. We are also selling tickets for the ‘Spring Fling Ceilidh’ which promises to be a great night out in Castle Douglas!
Sunday, 17 May 2009
Kate Anderson has been. . .

This week in the Gracefield Office. . .

The past week has largely been spent tying up the final push of press coverage and advertising for Spring Fling. Another thing we’ve been planning to do this year is to commission a photographer to take some specific images of the event that we can then use to publicise various elements of Spring Fling in future (as well as providing a record of the 2009 event). We put this out to tender last month and the job has gone to Angus Bremner (http://www.bremnerphoto.co.uk/) whose work many of us recognise from the stunning images he shot for last year’s Wigtown Book Festival programme. Angus is based in Edinburgh but his parents live just outside Castle Douglas so he does quite a bit of work in the region and is a big fan of Dumfries and Galloway .
The other big job has been getting some publicity material designed for Tim Taylor’s residency in Kirkcudbright and sending it out to the Spring Fling mailing list and local organisations. We’re pretty pleased with the result (see picture attached), especially given the distraction of working at Gracefield while the building is undergoing a big refurbishment. Just as the final countdown to Spring Fling began, a team of builders arrived - bearing hammers, drills and anything else that bangs, whirrs or clatters - and started orchestrating a symphony of disruption around our desks. What this picture (sent earlier), which was taken a few weeks ago, doesn’t show is the electrician currently up a ladder re-wiring the ceiling lights above our heads and the flock of confused quilters who wandered through our office earlier this morning having misguidedly taken a scenic route from Gracefield Galleries to the Café Bar.Friday, 15 May 2009
Lisa Hooper in Port William
This year there should be quite a buzz at Seymour House as, following on from last year’s one day experiment with teas, two of our neighbours will again be occupying the kitchen and offering cakes and hot drinks (proceeds to a local charity): this year on the Saturday and the Sunday.
I’ve been very fortunate this summer with my exhibiting opportunities, which means that I am now thinking two or three exhibitions ahead of Spring Fling! In June I have a solo exhibition at the Rockcliffe Gallery in the Baron’s Craig Hotel, followed by almost continuous exposure right through until October. Last week I was offered a stall in the Art Marquee at the annual British Birdwatching Fair at Rutland Water in August, which although I’d been hoping it would happen, came as a bit of a wake up call. So, I started yet another list of works and set about finding a B&B for four nights. I’m now doing evening shifts making 300 cards featuring birds….

In spite of all these distractions, I’ve been working on a new piece featuring a fox (perhaps to go with all my hares!) and I’m just starting out on a woodcut of the neighbours’ gardens in Port William (featuring fish floats, lobster pots, a boat, a washing line and – why not? – the washing machine as well). But don’t hold your breath for that one….
Wednesday, 6 May 2009
SFOS Committee Members Updates.
Having come back from Glasgow Art Fair slightly disappointed, then back from London rather confused after talking to some of the gallery owners there, I was really delighted to hear that I had won the Plein Air prize at Paisley Art Institute which is a week in a studio in BURGUNDY !! Brilliant!! We are going in the middle of September. Definitely feel much more enthusiastic!
Having participated in every Spring Fling to date I am now having a year off. One of the downsides of the event for me has always been the envy invoked by Spring-Flinging visitors' accounts of their visits to other studios. So this year, though I will have my own studio open as usual on the Saturday and Monday, I am very excited at the prospect of spending the Sunday seeing Spring Fling from the other side.
Jo Gallant
Lizzie Farey - Studio 50 on the Red Route - has been recently appointed as a Specialist Advisor for Crafts to the Scottish Arts Council. Definitly good to have someone from the region there.
Tuesday, 5 May 2009
The Bakehouse Studio in Langholm

Julie Dumbarton is an artist based at Studio 7 on the Orange route. The Bakehouse Studio is Julies' working studio. Situated in Langholm , it was previously a bakery, but was left unoccupied for over 13 years after its closure, until Julie discovered and fell in love with the building in 2004. "I’ve tried to keep the character of the old building - the old oven remains, along with the first aid kit and, of course, the baker boys bike! Retaining its previous life has been really important to me, whilst also nurturing it to a new focal point of Langholm. " Mike Day from the Scotsman newspaper took the above picture of Julie in her studio for the magazine.


Recently Julie held a 6 week painting course that was targeted at people who had no experience of working with oil paint, to give them an idea of working in a professional studio. "I had 19 people who all completed a painting of high standard, this all came together in a show in the studio. We had a huge turnout, I even involved them with hanging the work to give them an idea of what's involved in putting on an exhibition. The whole experience was a great success."


who came to paint had stories of when it used to be a bakery years ago,
saying it had the best warm rolls for miles around."

Morningside Gallery in Edinburgh and had great sales too at the House for an
Art Lover exhibition and The Red Barn in Cumbria. I'm exploring elements in
my paintings that I always have in my work in finer detail. I have loved
painting poppies and sunflowers in landscapes and this year I have been
invited to Chelsea to paint some of the gardens and plants that are
built in a short time."
Julie has some exciting work commissions coming up; she has been commissioned to paint a piece involving local schoolchildren to celebrate their school as it is under threat of closure.
You can see many more paintings at Julies website.....http://www.juliedumbarton.com/index.html
Tuesday, 28 April 2009
Spring Fling Taster in Stranraer
The Spring Fling 09 taster exhibition travelled to Stranraer at the weekend and can be seen at the Stranraer Museum until 16th May. It looks fantastic in the upstairs gallery space with a great range of work from Spring Fling 09 participants.
The exhibition opened with pink fizz and strawberries by Meg McColl, a great supporter of the Arts in Dumfries and Galloway, and who used to run a gallery with her husband.
Some of the work is displayed in beautiful 'museum' grade cabinets; below is a huge slip trailed jug by Jason Shakleton (Studio 29 on the Blue route).Tuesday, 21 April 2009
Textile Art in Castle Douglas Art Gallery
Maggie was born and brought up in Dumfries and Galloway and returned to the area about four years ago with a new focus on her developing artwork.

Maggie says, “I have a particular fondness for this venue; I love the space and natural light. And not only is it conveniently placed for my husband to nip across the road with fresh coffee, but it is also the place of my first solo exhibition 2 years ago. I'm really looking forward to it”.


Maggie constructs textile pieces from both natural and hand-dyed silk fibres, loosely woven cottons and soft felted wool. She applies a variety of stitching and acrylic paint to add further texture and depth.
Maggie is taking part in the Spring Fling open studio event and can be visited at studio 48 on the red route.
For more information, visit http://www.maggieayres.co.uk/ and http://www.spring-fling.co.uk/
Maggie will also be showing her work "Connecting the Threads' at Farfield Mill in Sedburgh (http://www.farfieldmill.org/), near Kendal in Cumbria, running from 18th July to 31st August.
Monday, 13 April 2009
'Magical' Mystery Tours

Spring Fling Fling

Whether you’re a dab hand with a dashing white sergeant or you’re a ceilidh virgin, all are welcome at the Spring Fling Fling, an evening ceilidh which will kick off at 8pm on Saturday 23 May at Castle Douglas Town Hall. With music by Two Left Feet, one of the finest ceilidh bands in the land, and songs from Damsel Jam, as well as Sulwath Brewery at the helm of the bar, good times are guaranteed.

Thursday, 5 March 2009
Sculpture Workshops
Lucianne Lassalle - Studio 29 on the Blue Route - Born in Paris, she has traveled widely working and exhibiting in Canada, USA, Europe, London, and the South East and South West. Recently she moved to Dumfries Scotland and will be exhibiting for the first time at Spring Fling (sharing studio space with the potter Jason Shackleton).Lucianne is also running a residential workshop in Tuscany 18th - 27th June 2009......
At 'La Meridiana' an International Ceramic Centre and 15th century farmhouse in the Tuscan hills. Clay studios, kilns and equipment, good food, wine and company
"The workshops will be focused, creative and intensive, for students to gain a good working understanding of the human form. We will work in clay directly, making clay sketches from the model and then working on a longer pose for more in depth study. There will be flexibility for students who wish to move from direct representational interpretation to creating their own expressive or abstracted interpretation of the human form."








